‘Running Mask’ tends to fit the theatrical effect of crowds, which Ronald Tolman explored in the seventies and eighties.
Wim van der Beek in 'Ronald Tolman, Horses and Masks', 2002
‘Running Mask’ tends to fit the theatrical effect of crowds, which Ronald Tolman explored in the seventies and eighties.
Wim van der Beek in 'Ronald Tolman, Horses and Masks', 2002